I finally got into both of Tad Williams’s new books in his Memory, Sorrow, and Thorn world, Osten Ard. For those who aren’t familiar, this is an excellent fantasy series, and very worth checking out. The original trio came out in the early 90s, and I love them.
Interestingly, they also are credited with inspiring George R.R. Martin’s A Game of Thrones. Having read both, the common elements can be pretty striking, even though the stories are completely different, as is the tone. If you’ve only read Martin’s series, and aren’t a big fan of the gore and sexual violence, you should definitely check out Memory, Sorrow, and Thorn. Tad doesn’t go in for that gratuitously gritty feeling, and I really appreciate that about his work. His stories and characters don’t feel unrealistic – much the opposite, in fact. They’re believably flawed and interesting, and his non-human characters in particular are uncommonly rich and personable. His focus in general is just a hell of a lot more uplifting than seems to be popular in epic fantasy these days.
It took me a little while to get around to these new books, but I finally did. I just finished The Witchwood Crown, and I’m so ready for the next book.
The first and shorter of the two that are currently out is The Heart of What was Lost. It’s set right after the climax of To Green Angel Tower, and introduces some new characters that become relevant in The Witchwood Crown, while laying some more world-building groundwork. It delves much further into the Norn culture than before, which is really cool, and even gives us some POV Norn characters for the first time. (Norns are the eternally pissed-off northern cousins of the Sithi, a race of elf-like people that share Osten Ard with humans, trolls, giants, dragons, and the changeling creatures called Tinukeda’ya.)
The Witchwood Crown is set many years after all the previous events, when the main protagonists, Simon and Miriamele, are much older. It focuses on a mix of other familiar characters, and new ones, including their grandchildren and Binabik the troll’s daughter. Overall, it feels very much like the original books, although Simon has been replaced as resident mooncalf by his grandson, Morgan.
My one complaint would be that The Witchwood Crown has a pretty slow build, and that’s really less of a complaint and more of an observation. I really like how full Tad’s stories tend to feel, even if it does make the main plot move a little bit slowly. There are a lot of different characters and stories to follow, and I found it a really relaxing read, although there were some pretty tense bits, and I was surprised by how genuinely nervous I felt when my favorite characters were at risk. He really knows how to build up that tension and toy with the reader’s expectations, and I never feel quite certain that I know who’ll make it through to the end of his books.
Depending on your preference, of course, I’d highly recommend checking out the audiobook versions of these books. I quite enjoyed the voice acting, especially for the trolls. It gets a little silly, but it’s fun.
(Writing days this past week: 2)