I saw Wonder Woman, because of course I did. I’m not gonna go into detail, so there are no spoilers to follow, but I’m not as excited about it as I kinda wish I could be. The thing is, it’s only revolutionary compared to the bulk of really fantastically sexist crap up to now. It’s still good to see, and it’s a step in the right direction, but they could have gone a lot farther. I enjoyed the fight scenes as much as the next person, but there were a lot of points where I wished for a little (or a lot) more boldness and awareness. I feel oddly uncomfortable with the amount of praise it’s getting, even though I understand why it is, because treating a female superhero like a male one shouldn’t be anything other than normal. They still played into the born sexy yesterday trope, so they didn’t even quite treat her like a male superhero, but even if they had. That’s what we should expect every single time, from every single movie. That’s not something we should have to celebrate, and we shouldn’t have to ignore any problematic elements to encourage them to make more. I’m glad I saw it, but I’m sad that basic non-shitty storytelling isn’t common enough that we can just shrug and call it a decent superhero movie with some issues.
I’ll say this again and again. Sexism, racism, ableism, etc are all elements of bad storytelling. We shouldn’t be saying “well, it was a great movie except their female characters were all basically cardboard cutouts with boobs, and the only people of color were evil, as fucking usual.” We should call that a bad movie, because it is both incredibly lazy and harmful to rely on the same offensive stereotypes and narratives. Normalizing equality is important, and while it’s totally understandable that we treat anything that gets even a little bit close as exceptional, it’s still a serious sign of how messed up things are that Wonder Woman is such a huge goddamn deal.
On that uplifting note, I’m still in the midst of revisions, and I’m hoping to be done with them by the end of June so I can stay on track and get Somnolence off to be line edited. We’ll see how realistic that is, but I’m pretty sure that if I give myself more time I’ll get complacent and slack off.
I’m also preparing to buy some ISBNs (International Standard Book Numbers.) That’s a whole thing. You need a different ISBN for every version of the book to be published, and the pricing scheme is kind of bizarre. At the moment, one number costs $125 and a batch of 1000 numbers costs… $1500. Bowker is the only source for these numbers in the US, so I guess they can basically do whatever they want. There are also some midrange options, which I’ll be taking advantage of, but the scale is still a bit startling.